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ANDREW FREEDMAN SALE, 
Friday Evening, April 14, 1916, 
ok athe 


+ | ew York City. 
MUMBER, BUYER. PRICE 
1 Stephen Birch % 140. 
2 «Jo- 30 
3 D. B. Freedman 90. 
4 W. W. Seaman, Agent B06 
5 C. J. Sullivan 80. 
6 We W. Seaman, Ager 500. 
7 Otto Bernet, Agent 300. 
8 T. Heckscher 310 
4 A. 0. Levy 525. 
10 Otto Bernet, Agent 675. 
li Henry Reinhardt 1300. 
12 M. Knoedler & Co. 2425. 
13 J. S. Van Wezel 650. 
14 John Levy 1000. 
15 W. W. Seaman, Agent 750. 
15 Mise E.R. Wellington 2650. 
17 Geo. CO. Heimerdinger 1250. 
18 M. Tanesbaum 650. 
19 W. W. Seaman, Agent 2100. 
20 ado= 5000. 
21 _ Jack Harris 1300. 
22 A. 0. Levy 800. 
23 Honry Reinhardt 925.6 
24 W. W. Seaman, Agent 52006 
25 G, J. Sullivan 1300» 
26 Stephen Birch 1000. 
27 Otto Bernet, Agent 1950. 
28 G. Tonn, Agent 1800. 
29 Otto Bernet, Agent 29006 
30 Stephen Birch 21506 
31 =do= 700. 
32 Otto Bernet, Agent 400. 
33 C. J. Sullivan 150. 
34 Geo. ©. Heimerdinger 2200 4 
35 W. W. Seaman, Agent 1200. 
36 Clapp & Graham 3000. 
37 D. B. Delavan 3300. 
38 Otto Bernet, Agent 500. 
39 P. A. Burns 825. 
40 Henry Schultheis 2150. 
4i W. W. Seaman, Agent 6200. 
42 Stephen Birch 7173. 
83 J. J. Julia 150. 
at Stephen Birch 1300. 
45 R. Deutsch 175. 
46 W. W. Seaman, Agent’ 4700. 
47 John MeCormick 20000. 
48 W. W. Seaman, Agent 8900. 
49 Stephen Birch 8700. 
50 Otto Bernet, Agent 10600. 
51 T. E. Gilchrist 150. 
82 J. G. Van Wezel 325. 


‘C iakis M: any 
E Fine Piétures 


ot’ s “Nymphs Bathing” and Troy- 
s ‘“Néfmandy Pastures” Peat-— 
res of Collection To Pi 


“ Fitty-two- paintings penealaee the ¢ol- 
téction of the late Andrew Freedmann 
er espa on view yesterday at the 

“an Art Galleries, No. 6 Madison 

are South, preparatory to their sale 
. auction by Thomas HE. Kirby at c 
vee Hotel on next Friday evening. © 
) same time three other collections were 
on exhibition—one of Chinese porce-| 
ans assembled by the late Edward Was-} 
xrmann; one. of old velvets and embroid-| 

; pees eG by Vitall and Leopold) 
Benguiat, and one of engravings and| 
pronase consigned by Mr. Richard 
the greater number of the paintings in 
Freedman’s collection are of the Bar~, 

he school. There is a Corot, “Nympns 
Bathing,’ from the Mary. Jane Morgan 
lage which was dispersed in 1886. In 
repeat es is a lake by which oe 
he omen, nude or part ¥i 
ee Ae a elump.of large-treas,: 
- psig a sae: typical manner, and over- 
head is an early evening sky. 

There is a large and fine exemple. of 
Constant Troyon, “Normandy Pastures,’ 
with flat lands in the foreground. A milk- 
maid milks 3 cow and two other cows lie 
on the grass, while near by is a flock of 
ebeep. At one side is a wooded fhillook, 

By Other Masters. 

“Sheep and Landscape Near Fontaine= 
ibleau” is a typical example of Charles 
Jacque, with a flock, tended by a shep- 
herdess, grazing near.a wood. There are 
four examples of Harpignies. ‘La Pas- 
serelle du Moulin Colas” is a small but 
pananter by work with a footbridge crossing 
la stream and tall trees. ‘Paysage au Bord 
ide la Mer” shows a ravine near the sea, 
‘covered with grass and rocks, while across 
ithe canvass, with the sea beyond, is a 
row of typical Harpignies trees, 

Other fine French pictures are Diaz's 
“In the Forest of Fontainebleau,” with a 
‘road leading into a forest; Cazin’s “‘The 
(Mill, ” a small landscape of poetie quality, 
|with an early evening sky and a pale full 
moon; Fantin-Latour’s “The Bathers,”’ 
having beautiful quality; Felix Ziem’s 
“Venice,” with striking reds and golds; 
Isabey’s dramatic ‘‘La Rixe,” presenting 
two cavaliers, fighting with rapiers in a 
narrow, street of an old French town, and 
five fine examples of Henner, including 
‘Nymph Reclining,’ a nude young woman 
lying by a lake; ‘‘Magdalen,” a nude re- 
elining in a grassy nook, and “Sleeping 
Wymph,” another nude reclining on the 
grassy bank of a pool. 

Of the American school there are thres 
Blakelecks, including. a fine example, 
“The Hdge of the Forest,” and an extraor. 
dinarily good example of Julian aitaes 
VSanderson’ s Creek, New Jersey.” 


, 
H 


BY PREEDIAN SEEN 


| Engravings | an@ 
Antique Textiles by Masters 
| "to Be Sold. 


ee PORCELAIN. TOO 


The paintings collected by the late 
'Andrew Freedman, whith were placed on 
public view in the galleries of the Ameri- 
i'can Art Asociation yesterday, will make 
one of the important art sales of the 
winter. At the same time the rare 
antique Chinese porcelains of Edward 
| Wasserman, the great collection of en- 
gravings and etchings belonging to 
Richard Ederheimer and the Benguiat 
‘collection of old velvets and embroideries, 
| were shown, in preparation for sales at 
jauction. 

| The Freedman ,paintings form a well 
balanced collection of carefully chosen 
|} works that finely represent the best 
qualities of some of the greatest names 
jin modern art. The pictures are land- 
‘scapes for the most part, although there 
|are a few figure pieces. Corot, Hare 
pignies, Cazin, J. J. Henner, Dieterle, 
Ziem, Schreyer, Jacque, Troyon and 
Diaz leaa in interest. But. it would be 
difficult to decide which of the artists 
carries off the chief honor of the show. 
/It is-indeed a well balanced group. 


| Some of the Paintings Shown. 


The Corot is a large example and 
came from the famous Mary Jane Mor- 
'gan sale. It is the “Nymphs Bathing” 
and the nymphs are seen in the fore-= 
ground, protected by a discreet shadow. 
Tall trees rise in a mass from a quiet 
ipool, the fading color from a sunset 
\tinting the sky- ‘back of them, It is 
|painted in the pearly tones familiar to 
| the students of Corot and the famous 
| “atmosphere” is in evidence. There are 
five characteristic works by J. J. Henner 
| and as this artist’s paintings have not 
been appearing in auctions of late with 
the frequency of former days, they come 
upon one almost with the effect of 
surprise. ‘The reclining “Magdalen” and 
|*The Sleeping Nymph” are especially 
typical; the flesh tints have the brilliant 
softness and the color has the personal 
qualities that are so much admired. 
|The turquoise blues and the gray browns 
| are as fresh as though the pictures were 
painted yesterday. 

The four Hanrpignies landscapes are 
all attractive examples of landscape 
painting. .The composition, while not 
sensational, always contains something 
unexpected. The color is chanming, the 
|trees are beautifully drawn, and the feel- 
\ing for nature ig genuine, The trees 
\dn the “Passerelle du Moulin Colas” are 
particularly free and interesting. The 
‘sheep picture iby Jacques hangs on the 
wall next a Harpignies landscape, and 
'there seems to be an affinity of style 
between the canvases; the same security 
‘of design and the same coolness and 
sobriety. of color. 


= 


POURS ere 


of sparkle ‘ene sunlight — 
Horsemen, ” by Georges 
, in spite of hig name, 


omer ana gay 


need to be told that 
Russian. - _ Aside 


Wel precisely | like 
story by Turgenieff 
3 L night party is break- 
elated and the guests 


outside 
ne where 
ave at been Te- 
oe, painted 
¥ the road, with, 
snow, suggests one 

ies so often described 
novelists. The Tissot 


Janding from a river 
ve in white boating 
| craft, 


vork: an ie collection are three 

. an Alma~Tadema girl with 
i-Latours, a Kromen- 
ey, Netscher, Rix, Thau-" 
Tet and ; a Weiss, 


Vibert as 7 
aM MGS ET spy 


| ests are sa feast- 


——— 


a entire con 


| Freedman’s pictures in striking con- 


ogy of the shops to-day, we find 


: eho diies and vulgarities. 


the incertitude—and worse-—of, Cé- 


4 red, and 
The classical design, the vibrating 


familiar as they ave, they neverthe- 
8 


Of genius. 
| Mr, Freedman was equally fortu- 
nate with his examples of Dupré 


type as 
certain books are in the traditional 


Pia dene pictures. 


OUSs 
There are four landscapes here by 


Ain 
bs ai 
+ 


t wa as ore t co lately, has the intoveis pie 7 
ated on taal oh te arg ~|ing him in an unusual “ot, For | 
ik eS by ate A enner Mr. Freedman ‘appears to 

eedinan the ¢ would seem t0| have had a cult. as five specimens — 


have been turned back. They yeoke 
the atmosphere of the Mary J: Mor- 
pot and George I. Seney collections, 
a atmosphe: ¢ of ha if the private 
galleries this couniry when the 
vogue of the Salon was cay dis- 
puted by that of the Barbizon | 5 
school: The dealers had a great 
pedis to do yaa it. They had not yet 
janized the boom in old masters, 
the latter day vagaries of the 
market were then simply un-. 
cawed of. Fashionable taste was 
rvEative. 
ionable taste percnee at the mo- 
ment to be soun If we find Mr. 


trast with much that prevails in 


also interesting and beauti- 


ee 


serene refuge from current 


What pleasure it is to turn bbs 


zanne and his followers to the ster- 
ling traits of a man like Corot! It 
is like turning from prose—and dull 
prose at that—to inspired poetry. 
rhe “Nymphs Bathing’ of the 
ob biohati Collection ts an exquisite 
version of that romantic. lakeside 
ive of which the master never 
to which his admirers 
must remain as joyously faithful. 


ane ge, the tender light, the unob- 
ive but delicately eloquent fig- 
€s—all the familiar elements come 


‘to charm us once more. And, 
8 have the freshness of morning 


about them, the perenmal stamp 


Diaz, Troyon, Jacque, Isabey an 
Fromentin, that group as inevitable 
in every collection of this 


gentleman’s library. He was con- 
ventional, if you like, but he knew 
what he was about and got hold of 


The same excellent judgment is 
disclosed in. the. more. miscellane- 
aspects of his collection, 


Harpignies. All of them are good, 
and one, “Les Petits Pecheurs, 
is @ little jewel, which, in- 


But fash-j 


a a aia a i a 


testify. The speil of this profound- ~ 


ly sophisticated Salonnier was long 
ago outworn, but it is at least to be 


said for these manifestations of at 


that they are. characteristic—un- 
commonly good Henners. 
similarly representative pieces |b 
Cazin,. Schreyer. | Fantin-Ldateur, 
Thaulow, Ziem, Alma-Fadema ane 
our own Blakelock and: Riz, 
ensemble may not be. overpowe = 
ly brilliant, but it is vita ized. 
legitimately beguiling. The sale 
the Plaza next Friday evening 

| develop, we believe, some cheering 
| surprises. 


tt x ate? 


There are — 


: 


he fiz 


edman Picture § Sa. le. oe 


most ia eee picture sale of 

- future: will be that of the 52 picture 
ed by the late Andrew Freedman - 
ee ballroom - 
The pictures will be placed on 
in the American Art Galleries 
ay April 8. 

Z italog of the collection emphasizes 
igh quality of the comparatively sinaii_ 
tion as a whole. ; 


jamples” of the Barbizon painters and their. 
|contemporaries and followers, although he 
|secured a few modern Americans, and, for-. 
|tunatelv for his heirs, three exceptionally 
Leoal examples of the now most popular 
Blakelock. These are “Nymphs in the 
Forest,” “Moonlight” and the “Edge of the 
| Forest.” 


|\in height by 24 in width, and has as sub- 


is a small panel 9% in. high by 7 in. wide, 


the Forest” is a small but rich landscape. 

| The best Barbizon examples are those of 
| Corot, (one of which, the “Nymphs Bath- 
ing,” was in the Mary Jane Morgan and Al- 


and Diaz. These, with other examples of lat- 
| er French painters were, with few excep- 
tions, purchased from Koendler & Co. Good 
also, exceptionally so, are the examples of 
Fantin, Latour (2), Cazin (3), Fromentin, 


| Vibert, Charelemont, Gerome, -Thaulow, 
| Ziem, Tissot, Alma-Tadema, Schreyer and 
one American ulian Rix. eS 

ee £ Co 
| Ley, a a . ( tAhaf VRE. ; 


Bi san Rita eres 


Rie tee eB rt le re os ae, 


Pa ee ee 


: “FREEDMAN PICTURE SALE. 
| The auction sale of the 52 modern pic- 


=o. 


Hate Andrew Freedman held in the Plaza 
‘Ballroom April 14, resulted in a total of 
3115, 850, while two records were broken— 
ne by the fine ‘“Cattue in Pasture” by the 


| Marie Dieterle, which sold for $8,900 to 
| Mr. Seaman as agent, and the second by the 
| rich virile landscape, “Sanderson’s Creek— 
|New Jersey” by the late Julian Rix, the 
| American, and which sold to Mr. S. Birch 
ior $1,300. - Ain. hued, 

The bidding was good throug rout and at 
| times spirited, and Mr. Thomas E. Katbye 
| the auctioneer was in: his best form. The 
‘| good figures brought by the examples of 
| Corot, Isabey, Ziem, Thaulow, Dieterle and 
ee gratified collectors and dealers 
[in modern foreign pictures of the schools of 
| these painters, as they disproved some pes- 
-|simistic opinions of late uttered that the 
_ | work of these men and their fellows was 
| declining in value. fee 46 

| The highest figure of the sale, $20,000, 
{was paid by Mr. John M. McCormack, the 
tenor, for the large and fine landscape by 
Corot, “Nymphs Bathing.” This canvas of 
Corot’s middle period—before he began to 
produce what is known as his “silvery” 
landscapes, was purchased at the Mary Jane 
Morgan sale in 1886 by Knoedler and Co. 
' for $9,000, who sold it to the late Alexander 
| Blumensteil. A iter his Beath it broumiaay 


ee ii Aa, eh 


‘riday evening, April 


|exander Blumensteil sales), Dupre, Troyon 


(i i 


z Freedman’s taste was for the ex- 


Lhe; age of these is an oblong, 16 ge a : 


ject a group of six small ‘nude women in ay. *.‘ 
forest glade with a pool in the centre—a 
| Monticelli motif. The second, “Moonlight,” 


|very rich in color, and the third, “Edge of e 


|Isabey, Pasini, Harpignies (4), Henner (5), 


jtures which formed the collection of the| — 


{Pitted daughter of Emile Van Marcke, | 


only $7,700 at the sale o : 
1906 where it was again purchased by} 
| Knoedler and Co., who sold it to Mr. Freed-| 
| man. 


| somewhat disappointing prices, considering 
! the recent “boom” in his works. 
—| “Moonlight,” 
of the same title at the Lambert sale] 
brought $1,300, the large landscape $2,500 
from Mrs. Isabella Freedman, and the small 
|“Nymphs in the Forest” only $310. 


|lector, through Mr. Bernet as agent. 


Troyon sold comparatively low, but were 


|for the early and not impressive Troyon | i 
jby Mr. Stephen Birch was a good one for , 
jits value. 


AIS “pie 


The three examples of Blakelock brought |, 


The al 
a study for his $20,000 canvas | 


The large “Venice” by Ziem, an excep-| — 


|tionally fine example, brought $6,200 from |e 
|Seaman as agent, and the large Thaulow] — 


$4,700, also from Seaman as agent, prob-; — 
ably a record auction price for works by the hide 


dead Norwegian master. es 
The: large and spirited Schreyer, “Arabs|”~ 
” 


en Route,” one of the most brilliant ex- 


The examples of Jacque, Dupre andl 


not notable examples, although $8,700 given 


ae a 
The following is a list of the pictures sold a 
April -14,.-2with® “the” numbers, artists’ Wiggs 


|} names, titles, sizes in inches, first height and 
| then width, the names of the buyers, where 
| obtainable andthe prices. 


1—Printzenfried, H., “A Cardinal’ (Panel), 
434x534, Stephen Birchwy. 0: 2.0%: «3s $140 
2—Scheuerer, J., ‘‘Chickens” (Panel), 7x9¥Y%, f 
Stephen y Bitch ismeraakeye yt ee aac 
3—Walker, J. A., “A Cavalty Bugler” 
(Panel), 914x74, D. B. Freedman. 
4—-Reinfuss, H., The ne Market” 
(Panel), 8x10%, Seaman.) CASith ei see 80 


5—Brendel, F., “In Pasture” (Panel), 10%- he 
x13%, Cc. eS Via timer ie scale oaceanetnee 8C 

6—Pasini, .A., ““Le Marchand D’ftoffes,”’ 
1034x834, SeanranteA ctye Sasi act 50¢ 


7—Constable, J., “A Passing Shower” (Can- 
vas, backed by a wood panel), 5x12, 
Bernet, PAE Bes epel steierane tester oue ORS eabete sah eeoNs 20 (rr 
8—Blakelock, R. A., “‘Nymphs in the For- Pee 
est” (Panel), 534x 814, T. Heckscher.. 31 eee 
o=Cazin, 2 Ce, “The Cottage on the Moor”’ 


(Panel), 514x834, A é TOMA tee ae te a 524 
ene, iT ies *Fexine Fille” (Panel), 

LO Toa eee DO LILGl sm cA Site ts fas sh uae hu cece ofa. e 57% 
11—Blakelock, R, A., ‘Me onlight” (Panel), 

QIZs, Ebenry aeimbardt, «seni cats. he ois 1,306 
12—Fromentin, E., “The Falconers” (Panel), te 

1334x1034, Knoedler sign Gro RE Rs Legere 2,424 ay 
13—Netscher, C., “Two Ladies with Fruit : im 

and Flowers” (Panel), 1334x11, J. 

Wiese: “Wel eae ts cpl re ott oa al he 1,65C 
14—Fantin-Latour, H., ‘““The Bathers,”’ 14x- 

Glee Olina GE V7 vale ws svete creas alsioiessers ters "oie 1,000 
15—Gérame, J. L., “The Caravan,” 1034x- 

AREA SRA Certs 08 Obs taancre anette store v.49 se 750 
16—Almia- Tadema, ee “The lag of Lruce,”’ 

1714x8%, A. Rudert, DNL EM Nets os js Sate 2,650 
17—Vibert, J. °G., ““The Cardinal” (Panel), 

16x11%, Geo. C. Heimerdinger Wares ek 1,250 
18—Harpignies, H., “The Willows’ (Panel), 

16%4x11%, Moses Tannenbaum........ 650 
19—Diaz, N. “Pool in the Forest” (Pan- 

el), 1214x16%4, Seaman, Ast. EAT GEREAF 2,100 
20-—Cazin, jee Ge, Moulin,’ ~1oxl45Sea- 

MICRA Of, Seema tists, «Sinai susiearacks peal alate 5,000 
21—Henner, J. j., “Tete de Jeune Femme” 

GRanel)etexis. “hack: rElairis i... sins 1,300 
22—Hanpignies, H., “Les Petits Pécheurs,”’ 

PSUS) RIAN LS ONY: coe ase otc s hace aes ‘aller st 800 
23—Fantin-Latour, H., ‘“‘Nymph at Water- 

side,” 18x14, Henry HVeUt RatG pets ars» ale 925 
24—Diaz, N. V., “Rorest of Font ainebleau,” 

(Panel), 1474x1834, Seaman, Agt..... 5,200 
25—Cazin, 1; Ce. ee avec Grandes 

Herbes,”’ 1854x1574, J. Sullivan. 1,300 
26— Charlemont, Ex, NebIe African,’ 

1914x13, Stephen Birch 0 3a. oe 1,000 | 
27—Harpignies, H., “Paysage au Bord de la 

Mer. 2 (1496x2074, Bernet, Apt ee 1,9503 

ar 
ay Se uals x 5 wai. sau, luk 


28—Henner, J. J., 


Pat Cre OWDAEeOts” scl. aise elite. as" 1,800 
- 29—Blakelock, ite fw OTe Edge of the For- 
est,” 16x24, Mrs. Isabella Freedman. . 2,500 
30—Dunré, hes “Petite Riviére Ombragée,” 
15x22, Stephen Birch Rg see pis oem 2,150 
3i—Isabey, | eed De ag eT ae i Ea Ben 16%, 
PITCH ig wos ov ae pte ha cee 700 


2—Weiss, J., “The Old Bridge,” 11x23%, 
ee Mrs: Isabella reedmannaneaies sss. « 400. 
3—Ferré, G., “Returning from Ane Wash- 


iiweelace, . 2ex13. Cs}. Sullivan: :.... 150. 
(34—Henner, Ue al Ge “Magdalen,” 18x2534, 

eon Ger eimerdinger?. .. 6k eee es 2,200: 
35—Hanpignies, H., “La Passerelle du Mou- 

lin Colas,” 24x20, A oReeert, WAST. . 1,200 
936—Jacque, C. E.,, “Sheep and Landscape, 
near Fontainebleau,” 26x21¥Y, Clapp 
i sl a 3,000: 
53 7-_Ziem. F., “Sunset in Venice,” 28x22, 
( Mrs; D. B. Delavan Mis te, fae haie epee eee 3,300 


_38—Beyschlag, ie RA Nymph of. Diana’ 
Canvas, oval), 244x334, Bernet, Agt. 500: 
'39—Koester, A., “Swimming Ducks,” 22x38, 


ORL sl UE a en 825 
'40—Henner, J. J., “Nymph Reclining,” 20- 
x36, Henry Schultheiss (Gropsg: ames Seating 2,150 
i41—Ziem, F., ‘Venice’ (Panel), 28x36, 
: NEGLI aE t IN Ra le gn rm 6,200 
—42—Washington, G., “‘Arab Horsemen,” 30- 
x38, Stephen Bastia eaters Dears ete ns «2 775: 
_43—Evans, Spel icking » Roses,” 43x24, 
oe Julia nM Rr nic Loe sos-5 he ST oe 150 
'44—Rix, J., “‘Sanderson’s Creek, New hors 
sey,” 32x42, ee Bitie..... 1,300 


Be aener: Belleuse, P “‘Confidences’”” (Pas- 
: tel), 34x45, R. Deutsch - Sasareecie rcs. fo, « 175 
-46—Thaulow, oe . Lie Red Daois. 2 32x40, 
if Seaman, Agt. 
4s—Corot, us B. C., “Nymphs Bathing,” 
; 40x30, Jobe GG CE UtaR sis. eens se <=» 20,000 


“Sleeping Nymph,” 15x- > 


| 48—Diéterle, M., “Cattle in Pasture,” 41x32, 
Seaman, Agt. FR Ge as ee ea 8,900 
| 49—Troyon, Cs oN ee eamady ae 4 34x46, } 
Stephen ae. 5... jade. ke. 8,700 
50—Schreyer, A., “Arabs en Rote”. 35x48, 
Sf PAE ET ESS te TENTS shay). 0 NI re en ana i aa 10,606 
_ 51—Tissot, - J., “On the Thames, ” 57IAx- 
40, Ree eh. os a. ss 150 
_ 52—Cheimonski, rlesyiudne Morning after the 
Soirée,” 22x56, -J. S. Van Wezel..,... 325. 
TE Cg acetre. ip) SAR ne $115,850 
tak 


. 
; 


f 


{ 


“Marie Dioterie's cattle In Past re" 
‘Fetches $8,900, a ‘Record Auction | 
Price | for This Artist. 


There’ was a tacze! iting spirited 
bidding on many of the pictures _ : 
good prices at the sale of the e 
tion of paintings of the | ate 
Freedman, — ander the auspices 
American Art Association, Thom i 
Kirby, in the auctioneer’ Ss Sei i a - 

“Plaza leat Lan dinlge eed 


ir N gna “Bathing,” 


catalogue, by John M 

Irish tenor, $20, ie 

was. given. "Oe a ‘charming, he 
picture. AO: Ag Diéterle, 


ta Pasture,” JING, . 48, eaten: ¢ n | 
to Seaman, | ‘Agent, for. $8, 900. fats is 
was the highest price ever paid at pub- 
“Me auction for a painting by this. artist. 
‘There was a $5,000 first bid for Tro- 
yon’s ‘* Normandy Pastures,’’ No. 49, 
which | went to Stephen Birch for $8, 700 
and the same first bid, $5,000, for ek 
Schreyer of the collection, ‘‘ Arabs 
Route,’ which went to Bernet, Keone 
for § $10,600, Mrs. Isabella Freedman 
bought: "Blakelock’s aan a! Hdge of the 
Forest,’’ “No. 29, for: $2,500, vand Jose 
weiss Ine Old Bridge.” No. 32, for 


There was. ‘applause. when the: first 
Blakelock was sold, going’ to H. Rein- 
hardt for $1,300, It was a aaa picture, 
a@ panel, No. Ti, ‘ Moonlight,”’ and sald 
to have been a study > f6r “the big? 
ib Moonlight,”’ which ight er eas: 
the pecOrG price of $20,000, . 


The Pictures and Petes” be 


Following is a full list: of the pictures 
with names of artists, buyers and. prices: ; 


A Cardinal, (panel) y Bin Printzenfried; 
Stephen PROD Oe COREL La a ad eg fee w, $140 
Chickehs, (panel)—J. ‘Bcheurerer; ‘Ste-. 
phen Bieen ies dcdeakechiews Vain 50 
A Cavalry Bugier, (panel)--J. A; Walk: ft 
er, D. W, Freedman... epee eee eat 60 
The Horse Market, (panel)—-H. Rein: 
fuss; Seaman, Bat Jini Mudsuluveabioes &0 
In Pasture, perry Brendel; C. a tf a 
TVENG eh RRO Reser DIE te Rear hou ey eras $0 
Le Marchand "q@’Mtoffes—Alberto Pasini; 
Seaman, ATONt yc ed ese eee desadeges 500 
A Passing Shower, (canvas, backed by 
wood panel)—John Constable; Bernet, 
OME Fy dis GiRA eg Male ieteielnae ain 6 weal Aare weld 800 
Wymphs in the Forest, (panel)--Ralph 
Albert Blakelock; T. Heoksher....s. ++ 510 
The Cottage on! the Moor, (panel) —Jean 
Charles Cazin; Aw O. Levy... se ee. §25 
Jeune Fille, (panel)—Jdean acques, Hen- pie 
ner; Bernet, ABSNY. vive seve euranaes 5 
Moonlight, (panel vilakelor ks HH, Rein~ 1,300 
REP AG Sak ai cee Sp ala eiglel wis cine she a 8 eae yo to 0 
She Falconers, (panel)-—Bugene Fro- §ple 
mentin: Knoedlar & QOL sleek. see 2,425 


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ie ise: hae  vaos 


oe z= Her ee ed 7 ee 2,150 
lem; secant lee sarge . 6,200 
ae Wash ington; 


De Scott Evans; J. J.) 


Mies |g alt mig = << leye +0 rae ee ee ee 


oR eh ES ES, 


i ees ee ee es f ns : 
Baas 7 uiscr pasesececossesee 

ie 127 he, nt % op ate ape td’ fas eee 4,700 
; 
i 


wee weer reeee 


tephen Birch para edie Ae ai " $700 
i o: Boule -Adcit Schreyer; Ber- 


we. ae es ach eecs $145,850 
é sale he by tise direction of Wal- 
| Oakman, Samuel Untermyer, and 
‘Guar, nty ust Company of New 


ernasdeaceh ss 1,050 
gi Beam os 


COROT FOR $20,000 
reeatioae Collection Brings 
«$115,850 in Liveliest 

| ) __ Sale of Season. 


ID 
x ae , 


THE BLAKELOCKS ATTEND 


| Mrs. Ralph Biakelock, her daughter 
“Ruth and her seventeen-year-old son 
Douglass attended the sale of the Freed- 
'man collection by the American Art 
Association in the ballroom of the Hotel 
Plaza last night. They participated in 
one of the liveliest art sales of the sea- 
Son, and incidentally saw three of Mr. | 
|Blakelock’s paintings change ownership, | 
‘one of them fetching $2,500. Whether 
‘they had been promised in advance that 
_they would see a landscape sold for $20,- 
000, just as Mr. Blakelock’s “Moonlight” 
“Was, cannot ‘be told, but certainly they 
‘had that pleasure, for Corot’s “Nymphs, 
Bathing” brought that impressive figure. . 

It sold to John McCormack, the tenor, | 
who purchased only a short time ago} 
@ Blakelock landscape for a price said | 
to be in the neighborhood of $10,000. | 
The Corot is not only the largest, but j 
the finest, that has appeared in the auc- 
tion rooms for some time, It is in the 
characteristic pearly tones of the master 
and came from the celebrated Mary 
Jane Morgan collection. 

The room was crowded by an inter- 
ested audience and the opinion was gen- 
‘erally expressed that the good prices 
achieved last night would have an ap- 


preciable effect upon the remainder of 
‘the art season. 

The cattle painting by Marie Dieterle 
sold to W. W. Seaman, agent, for $8,900, 
the highest price so far paid for one of 
her works at auction. Other pictures to 
command high prices were ‘Schreyer’s 
“Arabs en Route,” which sold for 
$10,600, and Troyon’s “Normandy Pas- 
tures,” $8,700. The total realized for 
the fifty-two paintings was $115,850. 

The list of paintings, with buyers and 

prices, follows: 


6—Alberto Pasini, “Le Marchand 
oe W. j.W. Seaman, 


! 
, 
nie Peseta | chataele “A Passing 
: Shower,’ Otto Bernet, agent.. 360 
8—R, A. Blakelock, “Nymphs in the 
| Forest,” .T. Hecksher.......+.. 310 
§—J. C. Cazin, “The Cottage on the 
Moor,’’ A. -O. Levy 
; 10—J. J. Henner, ‘Jeune Fille,’ O. 
Beret, “ASSN s se ae oop oso Sisral sis 675 
. 11—R. <A. Blakelock, ‘‘Moonlight,’” 
Hi ReinhBMrdto 2 sese hese «. 1,300 
12—Eugene Fromentin, ‘The Fal- 
| coners,” M. Knoedier & Co.... 2,425 
18—Constantine Netscher, “Two Ladies 
with Fruit and Flowers,’ J. 
So Wari iveee Bi POA alae oe 65 
14—H. Fantin-Latour, “The Bathers,” 


15—J. L. Gerome, “The Caravan,’ - 
A. Rudert; agenti+ wo. ehees- + 750 
16—Sir Laurens Alma- ,Tadema, “The 
Flag of Truce,” A. Rudert, a 
AP eM bs ois A iacik Nh nie) tacwia Wile ksiebatels. oie 2,650 


‘. 

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pnt atts tt A i cE NCCT Tt CO CN A A OC NNN OCC ONL LN NIA A RR eR NG 


FREEDMAN PICTURE APPRAISAL. 
The transfer tax report of: the ‘estate. of 
muadrew reedman, was tiled Sept. .1.-...It.is 
interesting to compare the appraisal of his 
pictures made by Knoedler & Co., with the 
prices obtained at the sale, under the aus- 
pices of the American Art Association at the 
Plaza Hotel on Apr. 14 last. The following 
shows the valuations and prices obtained 
for the principal works: 


; Appraised Sale 
5 : ; ; Values Prices 
(Corote Nymphs Bathing:....0....00.. $10,000 $20,000 


Troyer ‘“‘Normandy Pastures’’........ 10,000 8,700. 
Schreyer ‘‘Bedouins en Route’’...... 5,000 10,600 
Harpignies “‘Fishing from the Bridge’’ 5,000 1,200 
ilarpieniess. landscape’ 0. /.ses -.0 ge ci 54.000. 2 71;950 
Ziem ‘*The Grand ‘Canal, Venice’’.... 3,000 6,200 
Ziem “The Grand Canal, Venice’”’.... 2,000 3,300. 
Atma wademna Plage of Trweeyoa.. o on 3,000 2,650 
Dupre ‘‘Landscape, Hut Near a Pool” 3,000 2,150 
WoTeterietn. Co WSs... Sata. ties Rosas 3,000 8,900 
Chelonski ‘‘Morning after the Soirée”? 2,500 Ayes 
haulow..<° Malieeotream ibs. oi oer eae 2,300 4,700 
Fromentin, “The .Falconers”......%.: 2,000 2,425 
Jacates ‘Sheep in a. Pasture’. <1... 2,000 3,000 
Diaz S“ROTest: SCORE” vo « corer yas os umes 2,000 5,200 
Isabey “The Street. Ouarrel’’........ 2,000 = 700 
Rice Sarid SCape’-samhia tA. cle a laue,'s enategse a... 15500 1,300 


do. Lat Theys, WIS 
Soot. 1916 - 


DID NOT APPRAISE PICTURES. 


is In a comparison, in the Art News of 
~N Sept. 18, of the appraised and sale prices 
, of the Andrew Friedman pictures, it was 
> stated on misinformation. that the appraisal 
2 
Sh 
Y 


was made by the firm of M. Knoedler & 
Co. The Art News is informed by the 
firm, that an examination of its books, 
shows no record of any such appraisal. 


SSS t. 


ON FREE PUBLIC VIEW 
_ THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


BEGINNING SATURDAY, APRIL 8th, 1916 


AND CONTINUING UNTIL THE MORNING OF 
THE DATE OF SALE, INCLUSIVE 


THE PRIVATE COLLECTION 


OF THE LATE 


ANDREW FREEDMAN 


OF NEW YORK CITY — 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
IN THE GRAND BALLROOM OF 
THE PLAZA HOTEL 


FIFTH AVENUE, 58th TO 59th STREET, NEW YORK 


ON FRIDAY EVENING, APRIL 14th, 1916 


BEGINNING PROMPTLY AT 8.30 O’CLOCK 


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ILLUSTRATED CATALOGUE 


OF 


THE VALUABLE PAINTINGS 


BY 


FOREIGN AND AMERICAN MASTERS 


COLLECTED BY THE LATE 


ANDREW FREEDMAN 


OF NEW YORK CITY 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


BY DIRECTION OF 
WALTER G. OAKMAN, SAMUEL UNTERMYER AND THE GUARANTY 
TRUST COMPANY OF NEW YORK, EXECUTORS 


ON THE EVENING HEREIN STATED 


CATALOGUE WRITTEN BY WILLIAM A. COFFIN, N.A. 


THE SALE WILL BE CONDUCTED BY 
MR. THOMAS E. KIRBY, OF 


THE AMERICAN ART ASSOCIATION, MANAGERS 


MADISON SQUARE SOUTH, NEW YORK 
1916 


ALL DETAILS OF ILLUSTRATION — 
TEXT AND TYPOGRAPHY Me ts, 


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CONDITIONS OF SALE 


1, Any bid which is merely a nominal or fractional advance may 
be rejected by the auctioneer, if, in his judgment, such bid would be 
likely to affect the sale injuriously. 

2. The highest bidder shall be the buyer, and if any dispute 
arise between two or more bidders, the auctioneer shall either decide 
the same or put up for re-sale the lot so in dispute. 

3. Payment shall be made of all or such part of the purchase 
money as may be required, and the names and addresses of the pur- 
chasers shall be given immediately on the sale of every lot, in default 
of which the lot so purchased shall be immediately put up again and 
re-sold. = 

Payment of that part of the purchase money not made at the 
time of sale shall be made within ten days thereafter, in default of 
which the undersigned may either continue to hold the lots at the 
risk of the purchaser and take such action as may be necessary for 
the enforcement, of the sale, or may at public or private sale, and 
without other than this notice, re-sell the lots for the benefit of such 
purchaser, and the deficiency (if any) arising from such re-sale shall 
be a charge against such purchaser. 

4. Delivery of any purchase will be made only upon payment 
of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 9 
A. M. and 1 P. M., and on other days—except holidays—between the 
hours of 9 A. M. and 5 P.M. 

Delivery of any purchase will be made only at the American Art 
Galleries, or other place of sale, as the case may be, and only on pre- 
senting the bill of purchase. 

Delivery may be made, at the discretion of the Association, of 
any purchase during the session of the sale at which it was sold. 

5. Shipping, boxing or wrapping of purchases is a business in 
which the Association is in no wise engaged, and will not be performed 
by the Association for purchasers. ‘The Association will, however, 
afford to purchasers every facility for employing at current and 
reasonable rates carriers and packers; doing so, however, without any 
assumption of responsibility on its part for the acts and charges of 
the parties engaged for such service. 

6. Storage of any purchase shall be at the sole risk of the pur- 
chaser. Title passes upon the fall of the auctioneer’s hammer, and 
thereafter, while the Association will exercise due caution in caring 


for and delivering such purchase, it will not hold itself responsible if 
such purchase be lost, stolen, damaged or destroyed. 

Storage charges will be made upon all purchases not removed 
within ten days from the date of the sale thereof. 

7. Guarantee is not made either by the owner or the Association 
of the correctness of the description, genuineness or authenticity of 
any lot, and no sale will be set aside on account of any incorrectness, 
error of cataloguing, or any imperfection not noted. Every lot is 
on public exhibition one or more days prior to its sale, after which 
it is sold ‘“‘as is” and without recourse. 

The Association exercises great care to catalogue every lot cor- 
rectly, and will give consideration to the opinion of any trustworthy 
expert to the effect that any lot has been incorrectly catalogued, and, 
in its judgment, may either sell the lot as catalogued or make mention 
of the opinion of such expert, who thereby would become responsible 
for such damage as might result were his opinion without proper 
foundation. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South, 


New York City. 


gece? 4 
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se poe t 


SALE FRIDAY EVENING — 
APRIL 14, 1916 


IN THE GRAND BALLROOM OF 


THE PLAZA 


FirTH AVENUE, 58TH TO 59TH STREET 


BEGINNING AT 8.30 0’CLOCK : eee 


No. 1 / 
H. PRINTZENFRIED f 4 : 


GERMAN: CONTEMPORARY 


A CARDINAL 


(Panel) 


Height, 434 inches; width, 3°/, inches Siedin Buel, 


A sust picture, in profile view, of a cardinal, in red, reading a 


JAN O+ 


book, which he holds in his right hand, and smiling as he reads. 
| Signed at the upper left. 


No. 2 Jf 


; ate a 
J. SCHEUERER | 4 0 


GERMAN: CONTEMPORARY 


CHICKENS 


(Panel) 


LO hiiotly 
sald Height, 7 inches; length, 91% inches 


A ruock of chickens, with a gigantic black and red rooster in 


the center, in a meadow near a house, which is seen at the left. 


Signed at the lower left. 


a 


No. 8 
J. A. WALKER 


Frencu: ContTEMPORARY 


aa 


A CAVALRY BUGLER - | 
FO, a at YW, butting . 
Height, 91 inches; width, 714 inches | ap 


A Frencu cuirassier, holding his bugle at his side with his right oe 
hand, is depicted standing beside his fine white horse and look- q 
ing fixedly forward, ready to give the signal to advance to a party 
of cavalrymen, at the right, below the hillock on which he is 


posted. 
Signed at the lower right. 


| No. 4 


H. REINFUSS 


HuNGARIAN: CONTEMPORARY 


THE HORSE MARKET 


(Panel) 
do, | 4b. 4b Samar AG 


Height, 8 inches; length, 1014 inches 


A scENE in a horse market in a Hungarian town. Several horses, 
one with harness, eating grass from a cart, are seen in the fore- 
ground, and scattered about among the animals are dealers and 


purchasers. 
Signed, with “Budapest,” at the lower left. 


yo 


| No. 5 


F. BRENDEL 


GERMAN: CONTEMPORARY 
dO, | 
IN PASTURE 
(Panel) of dullwnno 


Height, 101/, inches; length, 131, inches 


A WHITE cow pasturing in a field with .a peasant girl holding her 
tie-rope while she grazes. At the left, following the girl and 
the cow, are two sheep. Farm buildings, enclosed by a wall, are 
seen in the distance, on the right, and above is a sky of gray 


clouds. 
Signed at the lower left. 


No. 6 


ALBERTO PASINI 
Irattan: 1826—1899 f e b Q 


bo LE MARCHAND D’ETOFFES 
4 
Height, 1034 inches; width, 8° inches Ba Ao 
: 4 


Ar the doorway of a Turkish house, with rich facade and over- 
hanging second story, a dealer in draperies has taken his seat 
with a basket of his wares beside him, while a woman standing 
between the partly opened green doors is chaffering with him. 
The peddler’s two horses, with panniers, are seen standing at the 


left. 
Signed at the lower right. 


From Messrs. M. Knoedler & Co., New York, 1906. 
108 7b Senet Salaidiro leo, Varin Nf27Jo5' Jes MNMX: AX 
_ 44a ptcdman 11s] 06 - SEMS- 


No. 7 Y 


JOHN CONSTABLE ™ 


’ . : nee 
; Me EncusH: 1776—1837 


ie A PASSING SHOWER S é) 0 


) (Canvas, backed by a wood panel) 


| 
a0O0- Height, 5 inches; length, 12 inches blo hep y : 


Tue foreground is composed of fields and diversified country, 
with a windmill on a hillock, at the right, and hills in the dis- 
tance. Overhead is a sky with clouds of blackish gray and white. 
In the left center a storm cloud is passing with heavy rain 


descending. 


From Charles Sedelmeyer, Paris, 1906. 


meee 


- 


- é 


wd 


No. 8 
RALPH ALBERT BLAKELOCK, A.N.A. 


AMERICAN: 1847— 


NYMPHS IN THE FOREST 


— (Panel) 


Height, 51% inches; length, 81, wg A A p ? 


A party of six small nude female figures, in a glade of a forest, 
in various attitudes, grouped about a pool. One young woman, 
in full face to the spectator, with arms held forward as if about 
to dive, is in the center of the group. The foreground is in 


shadow and the foliage, in the middle distance, is illumined by 
soft sunshine. 


Signed at the lower left. 


No. 9 
JEAN CHARLES CAZIN 


Frencu: 1840—1900 


THE COTTAGE ON THE MOOR 


(Panel) 


h fi | 053 Height, 514 inches; length, 8°4 inches is 0, 


A WHITE-WALLED cottage with roof of red tiles standing dlone 
in the plains of the Pas de Calais country of Northern France. 
On the right is a small haystack, and a sandy roadway passes 
in the foreground in front of the cottage. The sky is of pearly 


gray and is enveloped in a misty atmosphere. 


Signed at the lower right. 


From the Alexander Blumenstiel Collection, 1906, who purchased it from the 


artist. 


Mes S/$00- 


y ae-@ 


| JEAN JACQUES HENNER 


“7 


No. 10 


JEAN JACQUES HENNER 


FreNcH: 1829—1905 


JEUNE FILLE 


ys ist (Panel) 
Yi ¢ Height, 101, inches; width, 714, inches Gh Month, 


The head in profile, to the left, of a young girl, with auburn hair, 


and a blue blouse, showing on her shoulders. 


Signed at the left. 
Purchased from Félix Gérard, fils, Paris, 1906. 


ed 


an, 


or ve Aira 


No. 11 
RALPH ALBERT BLAKELOCK, A.N.A. 


AMERICAN: 1847— 


MOONLIGHT 


(Panel) 


SIOO Height, 914 inches; width, 7 inches VIP ST 


s__. 
In the foreground, at the right, is a taller tree, its lfmbs in the 


upper part bearing masses of foliage and the blue ae sky seen 
through the open spaces. <A river flows past in the middle portion 
of the picture, and just at the tree tops appears the full moon, 
its disc partly obscured by the foliage. In the upper part of 
the sky are clouds illumined by the light of the moon. 


Signed at the lower right. 


| No. 12 \” 
EUGENE FROMENTIN © 


Frencu: 1820—1876 


THE FALCONERS 


(Panel) 


ey 
3 | : 3 ) 
Height, 1334 inches; width, 1014, inches Yo. \. Uj, 2 
Two Arab horsemen, splendidly mounted and attended by a fal- . 
coner, are seen waiting in an open space, with trees on either 
side, for other horsemen who are approaching from the right 
to join them. The sky, seen between the two groups of trees, 
is filled with gray clouds. A notable example of the work of 
the celebrated Orientalist. 

Signed at the lower right. 
Collection of the late A. E. Borie, Philadelphia. 


H. 8. Henry Collection, New York, 1907.-%20- pS00- 


Calubla Suter Magid Uh Welw, Mag 18944 


4 os ne 
AM scald 


if} 


UI 


Brae 


é 


/\) £ \ | No. 138 


N\ ° 
\y° \ CONSTANTINE NETSCHER 


DutcuH: 1668—1722 


LWO LADIES WITH FRUIT AND FLOWERS — 


(Panel) 
eight, 1334 inches; width, 11 inches 


A tapy in costume of the Louis Quinze period is seated at a table, 
facing the spectator, with a basket of fruit and flowers before 
her. Behind her, standing, is another young woman, supporting 
a basket on her right hip and pointing to a large ornamental 
bracket, at the right, which is decorated with garlands of the 
fruit and flowers. The setting and background for the group 
consists of an open archway, with a curtain at the left, revealing | 


a view of trees and mountains. 


Purchased from Eugene Fischoff, New York, 1906. 


4. 


a 


se ee 


ot, 


ERS 


| 
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sf 
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7. 


+ No. 14 


o _. HENRI FANTIN-LATOUR 


Frencu: 1836—1905 


J0001 THE BATHERS 


Height, 14 inches; width, 11 nif 


Two figures of young women, seated on the bank of a brook, one, 
: at the left, who is of blond type, being nude, with a bit of drapery 

over her right knee, and the other in back view, on the right, with 
the lower limbs draped with red. Trees in the background and a 
blue sky, at the left, form the setting for the group. 


Signed at the lower right. 
Purchased from Messrs. Obach & Co., Londo, 1906. 


Pipes 


“ioe 


JEAN LEON GEROME, 


s # / No. 15 
wa ale 
ts JEAN LEON GEROME 


7 Frencu: 1824—1904 


THE CARAVAN 
bb. 


1 
Height, 1034 inches; length, 14 Be 


In the right foreground an Arab, in white, is seen on a brown 
donkey, followed by her white colt, riding along the curving beach 
of the sea, and behind him, following the circular shore line, is a 
long caravan with a herd of goats driven at its head and camels 
and men on foot. The procession of travelers reaches to the 
extreme right of the picture, and beyond, in the middle distance, 


are mountain and hillock forms of irregular shape. 


Signed at the lower left. 
Alexander Blumenstiel Collection, New York, 1910.~ /6f-s FIL5~ 


joe et 
SE de ae Mae 


on pret 


LAURENS . ALMA-TADEMA, R.A) 


aa | No. 16 


L)> = SIR LAURENS ALMA-TADEMA, R.A. 


Eneuisuo: 18386—1912 


i THE FLA T E 
hbbo, G OF TRUC 


Height, 1714 inches; width, 81%, inches yy Lh be ls ee 


A HALF-LENGTH figure of a lady in dress of black with pattern of 
gray and green trimming at neck and wrists, holding up a tall 
glass flower vase filled with lilies and narcissus blossoms. . The 
background shows the circular walls, in Pompeian red, of a ro- 
tunda with a bench, on the front of which is the inscription: 
“LL. Alma-Tadema, op. cccivin, artist; War Fund 1900.” 


Purchased from Messrs. Arthur Tooth & Sons, New York, 1905. 


ag 


BY 
_ JEHAN GEORGES VIBERT 


“ 


DINAL 


zy 
im 


HE CAR 


ay ene ae 4 | 

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No. 17 


3 Gd 5 SHAN -CHORGES! VIBERT 


, FRENCH: 1840—1902 7 Was 6 ne : Ras: 
\ SEO REE CARDINAL ae 


(Panel) ns 


[2800 


= A FULL-LENGTH figure of a cardinal, in red robes and bi 


Hag his. Sriches, an Aiie 1 eae Vio. b- Z 


seated in an armchair. He is reading from a volume of Rab 
and his expression shows keen appreciation. The setting for 
figure is simple, showing a polished hardwood floor and a gr 


curtain. : en 
See at ey lower e} 
M KK (uf O- yi Messrs. M. “Knoedler & Co., New York; 1877. 

oe Saree R. Butler Collection, New York, 1910. Fe/~ $e00, 


: 


17 


_ HENRI HARPIGNIES, 


| 


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ee 5 


No. 18 


: C0 (HENRI HARPIGNIES = 
» pr rare er 
| THE WILLOWS 


(Panel) nS =! Ln ; 


upper hart éf:the picture except where, nen a openings pss :) 
in the central portion of the composition, a blue sky with white 
clouds and a sandy hill, in the sunlight, are visible. 


Signed at the pence and dated 


Purchased from Félix Gérard, fils, Paris, 1906. 


me 


a DIAZ DE LA PENA 


\ 


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4. ' 

y\ a 4 No. 19 

\ x 

\\ NARCISSE VIRGILE DIAZ DE LA PENA 


FrencH: 1807—1876 


““° . - A POOL IN THE FOREST 


(Panel) 


4/00~ Height, 121, inches; length, 161, inches UH, dy 
Laman , 


AN open space, with a pool, in the central Lad scattered 
forest trees on the right and on the left, and a woman with a 
sack of charcoal on her back, in the middle distance. In the 
central portion of the canvas sunlight illumines the foliage and 
the ground, in contrast to the shadows of the foreground. High 
up amid the branches of the trees is a bit of blue sky. 


Signed at the lower left, and dated ’76 


From the J. 8. Forbes Collection, London. 
Purchased from Messrs. Obach § Co., London, 1906. 


ULI. 


Ss 
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ee ll 
5 | i | No. 20 4 @) Ae z 
| 3 JEAN CHARLES CAZIN 


Frencu: 1840—1900 


= 
Xe 


LE MOULIN 
L000 1 


Height, 16 inches; width, 14 inches KS 
44. ONAN lf4 


Own a mound, at the side of a road which crosses the foreground Z 
of the picture, stands a windmill, its four arms at rest and one of 
them reaching up to the top of the canvas. At the right is a 
cottage with red-tiled roof and a fence of rustic palings extendin 

to the left. Over this barrier is seen a stretch of farming coun- 
try and the whole is relieved by an early evening sky of lght 
gray-blue with the full moon appearing, as it rises, above a group 


of trees. . 
Signed at the lower right. 


Purchased from Félix Gérard, fils, Paris, 1906. 


+ ¥v : £. ~ : ; : toa as. 
= ," we a ‘ 


aes 


“7 
= 
a 


| TETE DE JEUNE FEMME 


eee Bye ae 


i 


' JACQUES HENNER- 


a EAN J ACQUE Ss. 


, Frencu: 1829—1905 | 


: 


‘TETE DE JEUNE FEMMI j 
sg 1300+ ee See 


Height, 18 inches; width, 13 inches 


Tue head, in profile, to the left, of a young woma 


5 


auburn hair falling over her right shoulder, and bl 


Purchased from Félix Gérard, fils, Paris, 1906. 


a 


NM 


AA 
> 


*. 


ey F 
} 2 a 


; b00- Height, 12 inches; length, 15 inches ab @L 


is Oe : A a oe ee <3) Oe oe ae “aie | eA ee 


| No. 22 


We HENRI HARPIGNIES 


Frencu: 1819— 


LES PETITS PECHEURS 


In the forepart of the picture a creek flows between steep, bare, et 
irregular-shaped banks. In the middle distance are a field and | 
trees, with a house with high-pitched roof and some other build- 

ings beyond. ‘Two little boys are fishing from the bank of the 

creek in the foreground, and overhead is a fine gray sky. 


Signed at the lower left. 


Purchased from Félix Gérard, fils, Paris, 1906. 


~ 


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be 


2,0) vert 4 oe 


Perey } 
“NYMPH aT THE “WATERSIDE 


BPH ae PANTIN-LATO UR 
Bat phe o4 


pus 
A 
45 


Woes 


No. 23 


HENRI FANTIN-LATOUR pet 


Frencu: 18386—1905 


ante i NYMPH AT THE WATERSIDE — 

Ga54 Height, 18 inches; width, 14 inches eo Le ; a UA 
A FULL-LENGTH nude figure of a young woman, lan on the 
greensward of the shores of a lake, which is seen at the left, and 
lifting from her head, with her right hand, voluminous white 


draperies, which she holds at her left hip with the other. Behind 


the figure is the summer foliage of a group of trees. 
Signed at the lower right. 


Purchased from Félix Gérard, fils, Paris, 1906. 


pW meen 


ve 


| yi V 


J] yer 
af No. 24 


NARCISSE VIRGILE DIAZ DE LA PENA 


Frencu: 1807—1876 


IN THE FOREST OF FONTAINEBLEAU 


(Panel) re ae 
SOO 4 Height, 141%, inches; length, 1834 inches MHS. <3 A 
5 Litt, : \ 


A roap leads straight from the middle foreground into the dis- 


tance through the forest. Trees, one with white bark being 
prominent in the left center of the composition, line the road at 
irregular intervals. On the extreme left is a large tree with black 
trunk and a boulder at its foot, balancing another, with its trunk 
in the sunshine, at the extreme right. Above the mass of woods 


is a glimpse of blue sky. 
Signed at the lower left, and dated °71. 


on 


Purchased from Messrs. Boussod, Valadon & Co., Paris. 

From the W. G. Oakman Collection, New York, 1914. Yoh un 2ato 
9825, - Biauraeds balun ti.0 Carus Ya ho? fo hIKXKK. 
a Se A . 


: : S A: “ee ar } » { , ee fs i 
AVEC GRANDES HERBES 


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BY ’ ~ ‘ya ‘'- 


a ST 7 . 


JEAN CHARLES CAZIN 


Sto 


iy ult 


—_— ; 
4 


No. 25 noe 
Tee. JEAN CHARLES CAZIN G 


nv ? Frencu: 1840—1900 


colored grasses. 


wooded, and over all is a sky of tender gray. eg * 
Signed at the lower left. & ; 
Purchased from Félix Gérard, fils, Paris, 1906. ag pee ea te 
i whoa 


AFRICAN 


: 
t 


ji 


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BLE 
ARD CHARLEMONT 


Fo Wea 


NO 


-EDOUARD CHARLEMONT 
Austrian: 1848—1906 =a ei 


A NOBLE AFRI CAN 


Height, 191, inches; width, 18 aoe J 


/0004 


room in an Oriental palace. The head is turned to t 


ae tace shows a igs of SN ee” ” 


: pA, 


(ie 


oA 


2 «< ae 3 ¥ 


| ye 
. » { No. 27 


\A HENRI HARPIGNIES 


Frencu: 1819— 


PAYSAGE AU BORD DE LA MER 


 - 

j 

GSO ~+ Height, 1434 inches; lenges 2014 wsrullle Bieetich, Lagewsh, 
4 


A RAVINE, covered with grass and rocks, fills the foreground with 
bushes on the rising ground at both the left and right. Across 
the canvas is a line of half a dozen trees with branches and foliage 
high up on the trunks, between which appears the sea tumbling 
in white caps under a brisk wind. The sky, seen through the 
openings in the foliage of the trees, reveals an expanse of finely 


moderated blue with white clouds. 
Signed at the lower left. 


Purchased from Messrs. M. Knoedler & Co., 1906. 
107 bb + Kngpb Aandd - she fe 1919054 Geo IKXK 
4. 4 Iutdman Ch 15/906, PAU KX 


SS a a ai a hs 


” ‘ No. 28 
q JEAN JACQUES HENNER 
\ hs fo Frencn: 1829—1905 


Bae SLEEPING NYMPH 
J F004 Height, 15 inches; length, 24 inches <Y Lang, 

A RECLINING, nude figure of a young woman on a grassy bank at 
the side of a pool, with a landscape setting of foliage and sky of 
blue, at the upper right. She is depicted lying on her right 
side, her shoulders on a slight mound, at the left, the right arm 
stretched out on the grass and the right leg tucked under the left, 
which is extended. Her abundant auburn hair spreads over her 


grassy bed. 
Signed at the lower left. 


Purchased from C. W. Kraushaar, New York, 1906. 


ay 


ALBERT BLAKELOCK, A.N.A. 


- B 1.” 


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No. 29 


RALPH ALBERT BLAKELOCK, A.N.A. 


| AMERICAN: 1847— 
THE EDGE OF THE FOREST 4 
4 


yy 46004 Height, 16 inches; length, 24 inches th Musuh yok 


THE composition includes a flat meadow in the foreground, two 
large trees at the left, and trees standing alone at intervals across 5 
the middle distance. The foliage throughout is painted with sober , 
tints of mellow greens and light browns, producing an agreeable 
ensemble, and the sky is of tempered blue with warm tints in 


the middle portion. 
Signed at the lower left. 


" 
7 


sy 
8 
eS 


] L 

7. No. 30 } oe | 3 | 
Jr = JULES DUPRE a 
XS ; 


Frencu: 1812—1889 


‘y PETITE RIVIERE OMBRAGEE 


A1dbOs Height, 15 inches; length, 22 inches pl buth 


A sMALL river, with quiet waters, occupies the foreground ex- 
cept for a piece of its shore at the left. Reeds line the opposite 
bank in the middle of the composition where are seen a cottage, 


with thatched roof, clumps of high bushes and the yellow-gray line 


\ q\ that marks the place of a field of grain. This peaceful scene 


has for a background a forest of tall trees, reaching up high on 
the right. Over all is a beautiful sky of light and atmospheric 
gray and white clouds, with spaces of blue. The river, lying 
in shadows, gives the title to the picture, which is a landscape of 


masterly design and fine character. 
Signed at the lower left. 


Purchased from Messrs. Obach § Co., London, 1906. 


Pe Se ah WR 


Co = 


No. 31 4 


ra EUGENE LOUIS GABRIEL ISABEY 


| 
ve? FreNcH: 1804—1886 | 


LA RIXE 


Vi. o Height, 26 inches; width, 1614 inches dil Burch a 


Tuer scene shows the narrow street of a French town, dark in 
the shadows of evening, with houses and a high church tower in 
perspective on the left, and, on the right, the facade of a house 
with projecting cornice at the top of the canvas. In the fore- 
ground, on the left, before the porch of a tavern, two cavaliers 
are fighting with rapiers while others are standing by and two 
maids are seen in the lighted doorway. The cause of the quarrel 
is seen at an open window in the second story, in the shape of 


a lady leaning out in alarm. 
Signed at the lower left, and dated ’54. 


No. 82 2 


TO . 
JOSE WEISS LY 4 


EnciisHo: CONTEMPORARY 
THE OLD BRIDGE 


Height, 11 inches; length, 231/, inches Wh loro digh 
f 


_ A stone bridge, of several arches, crossing a river. At the far- 
ther end of the bridge are a house and trees. The sky is filled 
with gray clouds. 


AO0O-1 


Signed at the lower right. 


Purchased from Julius Oehme, New York, 1906. 


No. 33 rs 


aor Cal 
GEORGES FERRE uy) O 


FRENCH: CONTEMPORARY 
RETURNING FROM THE WASHING PLACE 


SSO 1 Height, 22 inches; width, 18 inches A. , stilliwato 


A FULL-LENGTH figure of a sturdy, wholesome looKing French 
woman, carrying a big bundle of clothes, wrapped in a brown 
blanket, with her right arm, and with her left hand a pail con- 
taining her bottle of washing fluid, paddle and other things used 
in doing the household washing. She is depicted advancing in 
full face view on a path leading from a stream in the middle dis- 
tance, beyond which is a belt of trees. Overhead is a luminous 
sky of gray. 


Signed at the lower right 


‘y 


oF 


4400 4 


\ we 


JEAN JACQUES HENNER 


Frencu: 1829—1905 


MAGDALEN 


Height, 18 inches ; length, 2534 inches Yn AY 


A nupe figure of a young woman, lying, in front view, on her 
right side in a grassy nook, with blue drapery about her hip bi — 
and thigh. The setting is composed of somber-tinted foliage, the 
grass of subdued green, and a bit of blue sky at the upper right. 

Signed at the iene Be | 
Purchased from Julius Oehme, New York, 1905. se a 7 ; 


i ~ 


Aes 
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j No. 385 


HENRI HARPIGNIES 


Frencu: 1819— 


LA PASSERELLE DU MOULIN COLAS 


1400 4 Height, 24 inches; width, 20 inches HU. Stamwaw, Gok 


In the foreground of this masterly landscape from a bank, on 
the right, with tall trees reaching up to the top of the canvas, a 


foot-bridge crosses a stream where the mill-race flows into it. 


— 


Neither Colas nor his mill is included in the picture, but there 
is a boy on the bridge with his fishing line hanging down to the 
water. Beyond the bridge and the farther shore of the stream are 
fields and houses in the afternoon sun and above is a remarkably 


fine sky of summer blue. yscie: = 
Signed at the lower left, and dated 91. a 


Purchased from Messrs. Obach § Co., London, 1906. 


: eee 
RON er : 


FONTAINEBLEAU ¢ F a HY 


wr 


be c ARLES PMILE JACQUE 


Se See 
# jf q 
. 


/ No. 36 a 
ef CHARLES EMILE JACQUE 


iN 
. a Frencu: 1818—1894 


SHEEP AND LANDSCAPE, NEAR 
FONTAINEBLEAU 


Height, 26 inches, width, 211, inches apfe i, 3 % 


A FiLock of sheep grazing over the sloping pasture in the fore- 
ground, with a shepherdess, holding a houlette, watching them 
as she stands on the higher ground in the middle distance. At the 
top of the slopes, on the right, are trees with dense foliage and 
between their trunks is seen a sky of gray clouds. 3 


POOO, 


Signed at the lower left. 
Collection Solomon Mehrbach, New York, 1906. 


652% + highh Aedlenderr bounds Xoritler aly ippbgo« dee ONXX~ 
Sold Mi. Headley rte Sale 1895 XMS- 96, | Ena % ae 


Sage \ihibath Salo 1901 Kits 1 P2807 


ie 


‘ hy ” 
yer FELIX ZIEM > ees 


Q — aA@WOO 


- ie 
al No. 87 Ma ’ 


Frencu: 1812—1911 


SUNSET IN VENICE 


Height, 28 inches; width, 22 inches SE, h, | 
A view of Venice at the mouth of the Grand Canal, the buildings a . 
on either side framing a high sky in sunset glow. Amid the ruddy | a 
tints in the lower portion the sun is seen, still well above the hori- _ a 
zon, and looking upward there is a gradual melting of yellows a a 
into blue. A gondola in the foreground waters makes a dark effecr 
tive note in the general scheme of color. 


Signed at the lower right. 
Alexander Blumenstiel Collection, New York, 1906. .I//4 a BIJ 00, 


Week Lite ube ke ers a 
Page tt te Ae tae xy 


uae ‘ 


. 


ae 


ULIUS ROBERT BEYSCHLAG _ 


ae 


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5 c + = 7 - LD 


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, JULIUS ROBERT BEYSCHLAG 
~ GERMAN 1838— 


A NYMPH OF DIANA 


(Canvas, oval) 


00, Height, 2414 inches; length, 331/, inches lp Aaroh he ty VEL, ‘a 


A sEATED Eaten of a young woman with draperies of red and 
white enveloping her below the waist. The figure is seen in side 
view and on the grassy bank beside lies her quiver of arrows. 
Amid the foliage on the left is a faun playing the pipes and the 
nymph shows by her attitude, as she leans forward, with her 
hands folded on her knees, that she is listening to his notes with 


| pleasure. 


Collection of William Salomon, New York,-1906. tib- $907 


ane ‘KOESTER 


GERMAN : CONTEMPORARY 


e SWIMMING DUCKS: 


Heighs, 22 inches; ae 38 inches he. luawo 


Signed at the lower left. 


$ oe No. 40 
4 
JEAN JACQUES HENNER 


Frencu: 1829—1905 


NYMPH RECLINING 


AE O+4 | 
Height, 20 inches; length, 361, by dae 


A NuDE figure of a one woman, in back view, lying on her left a 
side on the bank of a lake, her auburn hair spread out on the - — 
grass. On the left is a mass of dark foliage; at the rien a lake 3 


mirroring a blue sky. 
Signed at the indeeteenee 
Purchased from Félix Gérard, fils, Paris, 1906. | 


l | . No. 41 
| ee FELIX ZIEM 


FrencuH: 1812—1911 


VENICE 


(Panel) 


Height, 28 inches; length, 36 inches Wf fF aa 


A scene in Venice differing from most pictures by this celebrated () 
artist in that it has a sky in which gray clouds fill the greater 5 ye 


6200-4 


part of its expanse. The effect is one of morning sunlight. On 
either side of a canal, the waters of which occupy the central fore- 
ground, are palaces and other buildings and in the distance a 


bridge crosses the watery highway. = 
Signed at the lower right. ie 


wr Oe 7 ‘ 4 »_ ‘ Mi 


GES WASHINGTON 


. 


aoe ts 2 ‘ ~ x vo * 


No. 42 


@ GEORGES WASHINGTON 


 Frencu: 1827— a 2 
‘ - ij . B 


ARAB HORSEMEN 
TTS 


A croup of Arab horsemen, some of whom have dismounted, 


Height, 30 inches; length, 381, inches 


gathered at the foot of a fine old tree, with wide-spreading 
branches, amid the plains and mountains of north Africa. At 
the right, on the farther side of a stream, is another group of 
chieftains and retainers. Above the blue mountains, which are 
seen in the distance, is a sky of sun-burnt blue with a few white 


clouds. 
Signed at the lower left. 


i SCOTT EVANS 


ou 


4 No. 438 


0 | DE SCOTT EVANS 


AMERICAN: 184'7— 


‘PICKING ROSES 
150, 


f 
Height, 43 inches; width, 24 inches Uf julie 


A FULL-LENGTH figure of a young woman, in side view, wearing 
a gown of white satin with train, reaching up her right hand to 
pluck a rose from a rose-tree trained on the stone wall of a 
house that forms the background of the picture. In her left hand 
she holds a bunch of the flowers. 


Signed at the lower left, and dated "87. 


' 


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+ 7 


bs 


Spe hy 


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aa te 


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aay i ae - ay eee an 7 a aie a - 7 ze v, . . 
ee é No. 44. 
| : JULIAN RIX a 
‘ie | AMERICAN: 1851—1903 & 
SANDERSON’S CREEK, NEW JERSEY a 


/3004 Height, 32 inches; length, 42 inches Lilla banth) | a 


A sunseET landscape of impressive aspect. On the right, in the 
foreground is a hill with great trees; in the middle distance a sheet 
of water, and beyond a view of country with farm buildings and 
hills. The sky, above, shows golden yellow tone in the lower por- 
tion gradating up to blue, where there are clouds illumined by the 
setting sun. ; 4 
. Signed at the lower right. 


From the William Schaus Galleries, New York, 1905. , a 


ree a eet ee er ee, oe! ee a) ge ee as | . 
3 , Bs = ric A i “ . Ue: a r; = ay - 
a ey os a a y Ms ? . ‘ 


es 


LEUSE > 


He 


R-BEL 


ae 


OE le ih rt Os a Tone 


a = <? (Coton eee 


Be ag CONFIDENCES | 
A715 Cee (Pastel) 
7 | Height, 34 inches; ee 5 in facies 


Two half-length figures of young women a 
seated close together, and the flowers of a hyd 
One of the young women, in dress of es is 


other, whose dress is of light sea-green. me 
Signed 


Br: | ie ; AM 7a " 
FRITZ 'THAULOW 


NorweEGian: 1847—1906 


THE RED ROOFS 


K700- Height, 32 inches; length, 40 inches Mf fp 


A stream, flowing rather swiftly, runs from the right of the pic- 
ture toward the spectator and, in the foreground, fills the can- 
vas except for a bit of the bank at the right, where there is a 
tree. On the other side of the stream and occupying all of the 
upper half of the canvas are white-walled houses and farm sheds, 
all with red-tile roofs. Wooded hill-tops are seen above the roofs 
and a strip of blue sky. ee | 
Signed at the lower right. 


Purchased from Edward Brandus, New York, 1905. 


> 
ee 


7 


Sepa THING 


= 5 
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JEAN BAPTISTE CAMILLE COROT 


Frencu: 1796—1875 


’ “ NYMPHS BATHING oa 
A 0000 . Height, 40 inches; width, 30 wa lle? Meb-eonuch, 


‘THE composition shows a lake in the foreground, its waters com- 


ing close to the bottom of the picture, where, on a grassy bank, 
are three young women, nude or partly draped. On the shore, at 
the left, rise great, full-foliaged trees and on the right is a tree, 
close to the edge of the canvas. These groups of trees frame in 
a vista of the lake and. hills beyond, while overhead is an ‘early 
evening sky, in the west, blue in the upper portion with white 


clouds and rosy tints near the horizon. 
Signed at the lower left. 


Mary Jane Morgan Collection, New York, 1886. 


Alexander Blumenstiel Collection, New York, 1906. 


Ihary fSargass bald She wtb See fem be, balan 
- Loheiw sso Hiadler Ipiin 4 Slant fam 2y//fly J SAKK 
b2i/_ Sold. S It. byes Vnarduo bS Db-ujprd3g, 184% 


Yullc Uhehivuma Salo S991 Bb fSI00 V/s Wemunthit | 
A Wlunniil Satu 1Y0b-1 MSs P00 Aadus ase 


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No. 48 


MARIE DIETERLE 


h Frencu: 1860— 


CATTLE IN PASTURE 


WL q Height, 41 inches; width, 32 inches bony Ay, 


In the foreground a whitecow © standing with her black yearling ¢ 


calf, and at the right, lying down, is another cow, sorrel and, i ¥ 
white. Back of the cow and calf tall trees are seen, with Ey 
spreading, leafy branches reaching to the top of the picture. - In 
the middle distance are other cattle and masses of trees. Over- | 
head is the sky of a summer day, blue with clouds of gray and 
white. 

Signed at the lower left. 


Purchased from the William Schaus Galleries, New York, 1904. 


« 


t 
oy 


ASTURES 


ik 


pie? 
ow 3 


6 : 


CONSTANT TROYON 


* 


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/ No. 49 


CONSTANT TROYON 


eh 
A) Frencu: 1810—1865 


Wi 
Y\ yi, NORMANDY PASTURES 
| 007 Height, 34 inches; length, 46 inches ipl hth 
A WELL-KNowN, important and fine example of Troyon. The 


forepart of the picture shows flat pasture lands, with a hillock 
and trees at the right. In the middle foreground a sorrel and 


white cow and a dark red bull, both lying down, form a group 
of prime interest, and immediately on the right of them is a white 
cow, standing while a maid is milking her. On the left is a flock 
of sheep with three ewes in front and a lamb springing about on 
the grass. The flat, green plains extend away beyond into the 
distance, where a range of hills is seen at the horizon. Above 
is a fine sky with gray and white clouds and spaces of blue in the 
upper portion... 

PP Georges TA La hug My fhbo » Geo SSXXKGued at the lower left. 

MK. Z8G3-Messrs. M. Knoedler & Co., New York, 1880. Och 222 AOXXK rs 


Theron R. Butler Collection, New York, 1910, -¥ 8b -KF/00 


ADOLF SCHREYER 


4 


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We 


x 


at oy 


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er id WP a Sap ee Dy eae ae 


/ No. 50 


h ete | ADOLF SCHREYER. 
| 


| GERMAN: 1828—1899 


ARABS EN ROUTE 


0600. EN 35 inches; length, 48 inches bo Manth, WY, 
As 


A LARGE party of Peay horsemen, the two foremost figures, 


the brink of a stream in the foreground, forming the central point ) 
of interest in the picture. Their rich garments and the trap- oe 
pings of their splendid horses show their high station. One is = 
mounted on a white horse and the other on a black, the latter 
eagerly stretching his head forward in his desire to drink at the 
stream. The mass of the numerous cavalcade is seen, both on the 
right and the left, beyond the central group, and overhead is a 
sky of gray clouds with a space of blue above. 

Signed at the lower right. 
Painted to order in 1886. 


Purchased from Julius Oehme, New York, 1904. 


‘THAMES © 


» 


ON THE 


ae anaes ae 


& | No. 51 
JAMES J. TISSOT 


Frencu: 1836—1902 


ON THE THAMES 


Height, 571, inches; width, 40 inches SEG , wh 


Tuis picture belongs to the Raehith series of subjects of which — 


Tissot painted a number, introducing usually his favorite model, 


/IO 


who is the principal figure in On the Thames. The scene is at a 
boat landing, where a young woman, in a gown of écru with flower 
pattern of red and green and with a bonnet of black, the rib- 
bons tied under her chin, is standing after alighting from a 
pleasure boat manned by two young men in rowing suits of white 
and white and blue caps. Behind these personages is the river, 
reflecting a gray sky and overhead is the foliage of a tree on the 


bank in the foreground. 
Signed at the lower right. 


Pie sti 


A eae 


hag co 


er eee ie ate a? bf «f 


7h Ss 


MORNING AFTER THE SOIREE 


- 


ra 


<< 


- 


BY 


\JOSEF CHELMONSKI 


<> 


oe 7 


Bast x) 


No. 52 


rae A JOSEF CHELMONSKI 


Russian: 1850— 
S : 


mV MORNING AFTER THE SOIREE 


E54 Height, 22 inches; lena 56 wore 8 Sari Migel 


A scENE at dawn after a party that has lasted all night, and is 
still continuing, in a long, low house, seen at the left of the pic- 
ture, with some of the guests departing and carriages and dros- 
kies filling the broad snow and mud covered road which fills the 
foreground. Guests are leaving from the doorway of a pavilion 
at the farther end of the building, near the center of the composi- 
tion, and attendants and a white-robed cook are seen at the door 
of the kitchen, at the left. Through the windows of the house, 
where the lights are still burning, figures are seen at the tables 
eating and drinking. 

Signed at the lower left, and dated, “Paris, 1877.” 


AMERICAN ART ASSOCIATION, 
MANAGERS. 
THOMAS E. KIRBY, 


AUCTIONEER. 


: 


ND THEIR WORKS 


= 


a eee Vee a oe ee a ae eee Y eee . ofl 
: DA ‘ ‘ 


LIST OF ARTISTS REPRESENTED 
AND THEIR WORKS 


ta eae 
% ALMA-TADEMA, Sir Laurens, F.A. 
The Flag of Truce 16 


| BEYSCHLAG, Jurius Ropert 
i A Nymph of Diana 38 


BLAKELOCK, Ratpu Arsert, A.N.A. 


Nymphs in the Forest 8 
Moonlight iu 
The Edge of the Forest 29 


BRENDEL, F. 
In Pasture . 5 


CARRIER-BELLEUSE, Prerre 
Confidences AD 


CAZIN, Jean CHarues 


The Cottage on the Moor 9 
Le Moulin 20 
Paysage avee Grandes Herbes 25 


‘CHARLEMONT, Epovarp 
A Noble African 26 


CHELMONSKI, Joser 


Morning after the Soirée 52 


CONSTABLE, Joun 
A Passing Shower i" 


CATALOGUE 
NUMBER 
COROT, Jean Baptiste CAMILLE 
Nymphs Bathing _ | AT 


DIAZ DE LA PENA, NarcissE VIRGILE 


A Pool in the Forest 5. 19 
In the Forest of Fontainebleau ; 24 


DIETERLE, Marte 
Cattle in Pasture : 48 


DUPRE, JULES te y 3 
Petite Riviére Ombragée 30 


EVANS, De Scortr 
Picking Roses 43 


FANTIN-LATOUR, HeEnrt 
The Bathers 14. 
Nymph at the Waterside 23 


FERRE, GEORGES 
Returning from the Washing Place 3 38 


FROMENTIN, Evcrtne 
The Falconers | {BY 


GEROME, JEAN Lton 
The Caravan 15 


HARPIGNIES, Henrt 


The Willows | 18 
Les Petits Pécheurs 22 
Paysage au Bord de la Mer 27 


La Passerelle du Moulin Colas apes is 


CATALOGUE 
NUMBER 


HENNER, Jean Jacques 


Jeune Fille 10 
Tete de Jeune Femme 21 
Sleeping Nymph 28 
Magdalen 34 
Nymph Reclining 40) 


ISABEY, Evetne Louis Garrieri 
La Rixe 31 


JACQUE, CrHarres Emie 
Sheep and Landscape, near Fontainebleau 36 


KOESTER, A 
Swimming Ducks 39 


NETSCHER, ConsrantTInE 
Two Ladies with Fruit and Flowers 13 


PASINI, Arserro 
Le Marchand d’Etoffes 6 


PRINTZENFRIED, H. 
A Cardinal al 


~REINFUSS, H. 
The Horse Market 4 


RIX, Jurran 


Sanderson’s Creek, New Jersey 4A 


SCHEUERER, J. 
Chickens © 2 


SCHREYER, Avo.r 
Arabs en Route 50 


THAULOW, Farrz 
The Red Roofs. 


TISSOT, James J. 
On the Thames 


TROYON, Constant 
Normandy Pastures 


VIBERT, Jenan Georces 
The Cardinal — | 


WALKER, J. A. 


A Cavalry Bugler 


WASHINGTON, Grorcers 


Arab Horsemen 


WEISS, Jost 


The Old Bridge 


ZIEM, Fruix 
Sunset in Venice 
Venice 


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